RB
Raymond Brunell
Voice Preservation Editing
For independent & self-published authors

Editing that strengthens your book without flattening your voice.

Affordable, empathy-driven developmental and line editing for indie horror and speculative fiction — from an editor who reads, writes, and loves the genre. I help your manuscript do what it is already trying to do, on its own terms.

Horror Writers Assoc.·First reader, Flash Fiction Magazine·60+ venues
A manuscript page marked with handwritten editorial line edits and margin notes
The voice-preservation promise

Most affordable editing defaults to a house style — treating unusual syntax, oblique structure, or tonal strangeness as errors to correct. For horror and speculative work, where atmosphere and voice are the substance, that is destructive.

I do the opposite. I diagnose what your manuscript is reaching for and help it get there — protecting the idiosyncratic textures your readers came for.

Pricing

Per-project, never per-hour. Benchmarked to the accessible end of EFA ranges. Payment plans available.
Free sample edit  ·  3–5 pages
Experience the methodology on your own manuscript before any money changes hands. No obligation — the linchpin of how I work.
Free →
Manuscript assessment
Big-picture editorial letter — structure, pacing, what's working & why
From $650
Developmental editing
Editorial letter + in-manuscript notes, voice-preserving throughout
From $0.022 / word
Line editing
Sentence-level rhythm, clarity, and atmosphere — your voice, sharpened
From $0.018 / word
Query letter + synopsis polish
Flat rate · two rounds · for agent and small-press submission
$180 flat

How it works

01
Free sample edit

Send 3–5 pages. You see exactly how I'd treat your voice — no cost, no obligation.

02
Welcome packet

Scope, timeline, deliverables, and terms in writing before we begin. No surprises, no scope creep.

03
Editorial report

A written letter and tracked manuscript, delivered on a date we set. Async-friendly, at your pace.

Why work with me

You're not hiring an editor who happens to tolerate horror — but one who reads, writes, and loves it, and can tell the difference between a manuscript's flaws and its deliberate strangeness.

I write literary horror myself — quiet, atmospheric, bureaucratic dread. I share your vocabulary, your reference points, and your aesthetic values, because this community is mine too.

Raymond Brunell — editor and literary horror writer